PICTURESONLINE

PICTURESONLINE

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World
framing suggestion:
The gradual transition from industrial photographer (at what used to be British Steel)
to cameraman and back to photographer (as of now) has enabled me to live a
somewhat privileged existence where I got to go to a lot of places that others might
only dream of visiting, and where I was able - mainly thanks to the efforts of others
- to get, if only in a small way, under the skin of places and not be just another
tourist. India is a case in point, where my first visit was to film diamond polishing
factories in Bombay (Mumbai), amid the squalor of the old and the promise of the
new, and my second was to see the best and the worst of India - via Delhi to
Bhutan, where issues of abject poverty and poor health were evident daily, even as
we flew in rich man's toys, the hot air balloons of our King-sanctioned expedition.
Without the help of local knowledge, few if any of my overseas trips would have
resulted in a film, but these generous people are rarely credited as having been
instrumental in making them happen. I mention this here only because this picture,
like many on this site, only came about because of being taken to an interesting spot
by a local. Unfortunately, my own camera had expired, and I didn't want to
presume too much upon the generosity of my friend by yet more 'Can I borrow
your camera for a minute' pleadings. So the village we went to is now unrecorded,
only their gaily-coloured, but idle, fishing boats serve as a reminder of that particular
day in Kerala.
The gradual transition from industrial photographer (at what used to be British Steel) to
cameraman and back to photographer (as of now) has enabled me to live a somewhat
privileged existence where I got to go to a lot of places that others might only dream of visiting,
and where I was able - mainly thanks to the efforts of others - to get, if only in a small way,
under the skin of places and not be just another tourist. India is a case in point, where my first
visit was to film diamond polishing factories in Bombay (Mumbai), amid the squalor of the old
and the promise of the new, and my second was to see the best and the worst of India - via
Delhi to Bhutan, where issues of abject poverty and poor health were evident daily, even as we
flew in rich man's toys, the hot air balloons of our King-sanctioned expedition. Without the help
of local knowledge, few if any of my overseas trips would have resulted in a film, but these
generous people are rarely credited as having been instrumental in making them happen. I
mention this here only because this picture, like many on this site, only came about because of
being taken to an interesting spot by a local. Unfortunately, my own camera had expired, and I
didn't want to presume too much upon the generosity of my friend by yet more 'Can I borrow
your camera for a minute' pleadings. So the village we went to is now unrecorded, only their
gaily-coloured, but idle, fishing boats serve as a reminder of that particular day in Kerala.

Kerala fishing boats

World gallery

A3 (c. 16"x12") print on:

Permajet Gold Silk (£26)

Innova Soft-textured matt (£24)

A2 (c. 23"x16") print on:
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)