A3 (c. 16"x12") print on:
Permajet Gold Silk (£26)
Innova Soft-textured matt (£24)
A2 (c. 23"x16") print on:
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)
framing suggestion:
Californian sequoias
A3 (c. 16"x12") print on:
Permajet Gold Silk (£26)
Innova Soft-textured matt (£24)
A2 (c. 23"x16") print on:
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)
Permajet Gold Silk (£40)
Innova Soft-textured matt (£36)
By 1977 I'd left applied photography behind with my resignation from British Steel - someone else could have the pleasure of photographing rusty sample plates for their bread and butter, as I was off to Alaska as half a film crew on a scientific expedition! Someone on the team had collared a good deal (including freight) from a airline as sponsorship, so we decided to drive up the US west coast from San Francisco to Seattle and to get the ferry into Alaskan waters from there. With my mind fixated on the problems and pitfalls of filming in a remote location with virtually no experience in what I was doing, landscape photography was not on my agenda. So I missed all the fabulous opportunities for it that those 900 miles of locations provided. Provided that you could see them, that is. This is virtually the only picture I took on that part of the trip, in the Redwood forests of Northern California. I had a lot to learn and a long way to go before any ability I may have at landscapes would begin to take shape. I'm writing this 40 years after the events of that summer of 1977, and I'm still trying to get a handle on landscape photography.
